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News, Events, Speeches and Awards updated 16-06-2010 (Scroll down for more)

The Mutloatse Arts Heritage Trust is especially passionate about memorialising the heroines of our liberation struggle, such as our collective mothers Masediba Lilian Ngoyi, nee Matabane, and Helen Beatrice May Joseph, formerly Fennell, as we did in publishing the heritage anthology of the historic The Women's Freedom March of 1956, on the occassion of its golden jubilee (50th) anniversary, in 2006.
Four years later, and 16 years into South Africa's democracy and exactly 54 years after nearly 20 000 abo-Mama, descended peacefully on Pretoria to submit petitions to the erstwhile apartheid regime at the Union Buildings, against the law that forced African women to also carry the dompas, we shall be remembering Mums Ngoyi and Joseph, as the nation declare their shared grave at Avalon Cemetery, Soweto, as a national heritage site.
Malibongwe! Ligamalamakhosikazi. Malibongwe!
Equally important, next year is the centenary of MaNgoyi in Hereitage Month, on 24 September 2011.
However, few people know that MaNgoyi was related to teacher, poet and musician Moses Mphahlele, who composed the Sesotho companion to Enoch Sontonga, called Morena Boloka Setjhaba sa Heso. Ntate Mphahlele's and MaNgoyi's mothers were two of five sisters! In addition, both Ntate Mphahlele and MaNgoyi trained as teachers at the famous Kilnerton Training Institution outside Pretoria.
To us, Memory is our Heritage, and that is why we wholeheartedly endorse the government's efforts to help us remember not to forget, as is the case with the declaration of the grave of mothers Ngoyi and joseph, as a national heritage site.
- Mothobi Mutloatse, publisher ..
Is heroine Ngoyi forgotten?
Posted in The Sowetan 18 March 2010 ; Mothobi Mutloatse
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EXACTLY 30 years ago this week we buried Our Grandmother of the Liberation Struggle, Masediba Lilian Ngoyi, née Mphahlele, then 68, her coffin carried on a horse-drawn cart, before the expiry of her banning order on May 31.
For 18 years she had been “imprisoned” in her Soweto home by the apartheid regime.
And yet – and it saddens me greatly – not a word or a hint appears to have been uttered in her honour, in this year of the 2010 Fifa World Cup. Why, dear comrades?
Even the ANC Women’s League has been deafening in its silence. I desperately tried to access its website for guidance.
Lo and behold, it was frozen in time in 2009, with its anachronism regarding the national executive committee of 2003, mind you!
Exasperated I called its direct landline. I was answered by voicemail. I threw in the towel.
I then remembered that to date not a single president of the ANC and of the Republic of South Africa, nor the executive mayor of Johannesburg, or the premier of Gauteng, has ever been to MaNgoyi’s humble abode at 9870b in Nkungu Street, Mzimhlophe.
Yet she is a 1982 sitwalandwe- Seaparankoe, the highest award ever to be bestowed on a national hero, or heroine of the African National Congress.
She shares a grave at Avalon Cemetery with her liberation bosom friend, Helen Joseph, a 1992 Isitwalandwe-Seaparankoe. Last year word got out that their grave would be declared a national heritage site.
Then echoed the “sound of silence”, to paraphrase Simon and Garfunkel.
I care a lot about the heritage she bequeathed to us, because I happen to have been the last journalist to interview her in August 1979.
I remembered hers and the gallant 20 000 mothers of the 1956 Women’s Freedom March to Pretoria against the dompas, during the 50th anniversary in 2006.
Co-editor Jacqui Masiza and Mum Bertha Gxowa, MP, had organised a prayer day with a visit to MaNgoyi and MaJoseph’s grave.
The Mutloatse Arts Heritage Trust underwrote the costs of the festivities when the sisterhood failed to rise to the occasion.
Every day I see MaNgoyi, animated as always, in full flight at a meeting – on my office wall, that is.
Mothobi Mutloatse, Johannesburg
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Mothobi Mutloatse, Mpho Makwana, Mpaki Pule & Oupa Ngwenya
FRANK TALK by Mothobi Mutloatse (article published in Sowetan 27 March 2009)
Ho senyehile. Ke diphosophoso. It is a mess. It is a comedy of errors that encapsulated South Africa’s gradual political defacement this week.
To say some parts of the government’s approaches to the challenges of the departing SAA chief executive officer Khaya Ngqula and His Holiness the Dalai Lama debacle have been below par is an understatement.
Rightly or wrongly, the buck stops with the boss – in this case, the head of state: Ntate Kgalema Petrus Motlanthe.
Yes, ntate, you, and you alone. Not the spokesperson or ministers of foreign or home affairs , or even one in the presidency.
What really happened? Why? A re there any lessons to be learnt?
Or, is the government going to wish away this watershed moment in our fledgling democracy? To assume this storm will die down of its own accord is to make a fatal error we will live to regret, even if it is a decade later.
Either you rise to the occasion and take us into your confidence as our father who art on earth, and explain to us holistically. without revealing strategic national security issues, what was the rationale behind the no-issue/non-invitation to the Dalai Lama, and whether you find it difficult in your heart of hearts to acknowledge we “have a problem” of immense proportions, regardless of the fact that it could have been unintended.
Being statesman-like does not necessarily mean capitulating to anyone. However, it requires candour. Because the problem cannot be eliminated by political censorship (our erstwhile apartheid bullies can attest to that).
How the Cabinet could have got it wrong – through the actions of the minister in charge of the SAA portfolio – is shocking beyond belief.
This debacle is now going to form part of our heritage, albeit negatively. When historians gain access to these archives in two decades, I can imagine the embarrassment the country is going to be saddled with, let alone the ridicule.
Ke nako, Mopresidente – it is indeed time to go back to the drawing board in terms of media relations, Mr President. Lead from the front, ntate and roll with the punches.
Further spin-doctoring will not do. The genie is already out of the bottle.
• Mutloatse is a writer and publisher
Older articles and events:


Peter Magubane has spent most of his life documenting the struggle against apartheid, from the township streets to the hallways of power. During this period he came to know Nelson Mandela – first as a young political leader who was making waves throughout the country, and then as an icon of the struggle. Over the years a kinship was forged between two ‘politicians’ – one who spoke with words and actions, the other who spoke with his camera.
Peter subsequently went to visit Mandela in prison on Robben Island, solidifying the relationship between the then future president and the charismatic cameraman. After Mandela was released, Peter was honoured to be selected as the official photographer to chronicle the country’s four-year transition to democracy. As the official photographer, he made the most of the prime positions available to him at the countless photographic opportunities along the road to a new political dispensation. As a result of his position, and his relationship with Mandela, he had unparalleled access to Mandela and his family. The result is a portfolio of fascinating, moving, and often surprising, photographs. Man of the People is a biography of a fascinating life, told by someone who was privileged to have witnessed it from up close. It is a personal tribute to one of the world’s greatest leaders, from one of its best-known photographers. Back cover: ‘For his bravery and courage during the dark days of apartheid, Peter became a beacon of hope not only to the thousands of journalists all over the world but also to millions of people across our country. His commitment to photojournalism helped pave the way to transformation in South Africa, and such efforts are, needless to say, worthy of international recognition.’ Former President Nelson Mandela on awarding the Order for Meritorious Service to Peter Magubane in 1999. ‘Magubane has been the busiest photographer of our media history… he is a unique lensman, very quick to see a photograph and quite adept at creating one on the spot. In 1976 I witnessed one of his many arrests, this one near the Orlando East/Noordgesig intersection during the township uprisings, when he was thrown into the back of a police Casspir armoured vehicle. He was badly assaulted with a rifle butt, and he suffered a broken nose. Never one to give in easily, he rose up in great pain and continued shooting pictures from the police vehicle. I suspect that the real reasons why he has been such a formidable photographer are his keen sense of news, and a self-driven willingness to succeed in whatever he does.’ Jon Qwelane
‘Inhabitants of the developed world, and the privileged, tend to learn of the world’s troubles through photography. Magubane’s photobiography vividly portrays the fact that apartheid is crime against humanity.’ Dr Sifiso Ndlovu.
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SACCME Freedom Day Celebration (click on image to enlarge)
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Sowetan News Article - Tuesday April 15, 2008 -
click to view enlarged image for reading
Take the A Train Malome 7-Mabone: By Mothobi Mutloatse - Download Now (59kb)
VICTOR “SCRAPE” NTSHONA -
HERBERT VILAKAZI - Download now (37kb)
The Cheek of Robert Mugabe - Download now 26kb
I apologise, South Africa!
I have never in my life been so humiliated vicariously as I was with regard to the University of the Free State students' racist behaviour towards workers old enough to be their parents in a so-called play-acting video documentary. What base cultural expression was this? The gods must be angry indeed.
I apologise to the mothers who had to suffer yet again the indignities of racial superiority in the youth that is democratic South Africa. I apologise to the father who was treated like a boy, an unthinking and uncultured boy.
I apologise to my people for believing that we are people only through other people.
I wish to hug my mothers; I wish to hug my father, and say: I am deeply sorry I did not come to their aid and defense, intellectually.
I have heard the excuses before - deja vu. Didn't someone say 31 years ago? Dit laat my koud. It leaves me cold. To laughter and cheers, nogal. Now I hear the same echo in a free South Africa: the 'innocent ' students were merely 'play-acting'. That is why I support a class action against the students, and damages claim against the university even if it has unreservedly condemned this reprehensible racist act. We ignore this simmering cauldron at our great peril.
Remember: Way back in Pompeii, 1928 years and 189 days ago, Mount Vesuvius fulfilled its volcanic fate when it erupted, burying the city of Pompeii and its surrounds.
We face a similar fate if we ignore the symptoms of racism underpinning the UFS sordid incident.
I suggest President Thabo Mbeki boldy set forth for Mangaung to confront the restless volcano headlong, accompanied by the motherhood of: Deputy President Phumzile Mlambo-Ngcuka, education Minister Naledi Pandor, Premier Beatrice Marshroff, accompanied by leaders of all the political parties in Parliament, the business communities, religious organisations across all faiths, youth leaders and Manyano delegations, to firstly pray for ourselves, and thereafter, to ask for one another's forgiveness's (and not sins, please!).
Then later, agree to convening A National Healing Summit, In Search of Harmony.
Seven days might seem sufficient, but if the Kenyan human tragedy is anything to go by, seven days might be too little, too late. Now brother is killing brother across the demon of ethnicity even among families that had intermarried. Ask Mama Graca to update you on the timebomb that is ticking in previously stable Kenya. Perhaps Not yet uhuru. Shamed. Dehumanised and Broken.
But I have got to lift myself up again. Without any apologies.
Mothobi Mutloatse,
Johannesburg.
Launch of Choral Composers Festival Fellowship
About 50 guests comprising music directors, composers, teachers and media attended the launch on Wednesday 6 th February 2007.
Lindumuzi Mngoma presented the vision and motivation for such an initiative which seeks to preserve the choral music and honour the composers through this programme. He also announced the forthcoming concert which will illustrate the achievements of his work with various choral groups and stakeholders.
Email and sms methods were used to invite guests to the media launch. A database of stakeholders in the choral media was provided and this was of great help as we were able to target the relevant stakeholders.
DAC was invited but due to clash of schedules, some of the officials could not be presented.
Broad arts/music media was invited to the launch.
http://www.sowetan.co.za/News/Article.aspx?id=700537



A tribute to Andrew Lukele - click here to download
From Samba to High-Life: A Tale of Two Icons - By Mothobi Mutloatse - click here to download
MALIBONGWE IGAMA LAMAKHOSIKAZI - By Zola Maseko
- click here to download
Holy Cross Dinner Speech - Professor Tinyiko Sam Maluleke - click here to download
LETTER TO THE SUNDAY TIMES
Sir – Hyperbole is a no-no, and coupled with literary exhibitionism, as was the case in last Sunday’s [18/11/07] column by the irrepressible Mr David Bullard, is comical if not ridiculous.
Attention-grabber Mr Bullard appears hell-bent on having his book banned, when he clearly knows that this is far-fetched as the constitution protects freedom of the press, as well as freedom of expression.
Only a mad, stupid, and self-destructive section of government would dare interfere with or tamper with the constitution. Evidently Mr Bullard is a satirist – as one of his seniors once said to me – and therefore should not be taken serious of. I must admit, I fell for it.
‘Pessimism’, as the late esteemed jurist, former Chief Justice Ismail Mahomed said at a conference in Toronto, Canada, in 1989, ‘is a dangerous virus. Good and honest men and women who are afflicted by it often suffer from deep distress and confusion.”
He went on to say:’ They are intimidated by the depth of the challenges involved in meeting the need for transformation to a just and equitable society, instead of being inspired by the energies which can be released in confronting the challenge.’
By the bye, Mr Bullard, I have the experience of having six of the books I had published, being banned by the apartheid regime. Of course I appealed successfully, helped by the incredible team of the late Raymond Tucker, Prof John Dugard and Gilbert Marcus (now SC).
Freedom of the Press under threat? Try again, Mr Satire. –Mothobi Mutloatse, Johannesburg.
(email:mutloatse@mweb.co.za)
0846691333
Other past events:

A LETTER
TO BROTHER BANTU BIKO (a proemdra by Mothobi Mutloatse)
Molo, Bantubonke.
Good morning,
Steve.
Heita comrade.
Hows mum?
uMamcethe? And Tat'uBiko?
Hows Mapetla?
Hows bhut
Khaya? Also sis'Bukelwa?
It is that time
of the year September, Heritage Month when we ritually
celebrate your generation through you, not nostalgically but rather
heroically if not spiritually. You went away so soon; so quickly;
so unexpectedly; so bloodily. Without saying a word. But then, you
had already penned many, many, many words by the time you turned
30, almost a lifetimes thoughts, aspirations, hopes and introspection
transcending four generations.
Did you know
that they would hurt your body but not your soul?
Did you find
out the reason behind your killing?
Have you seen
James Thomas Kruger, the then Minister who signed your banning order?
Would you not like to ask him to explain in detail the rationale
behind your death certificate, especially in light of the fact that
you, Bantu, have always been a free spirit that could never be killed,
and therefore would live forever?
September is
Spring in South Africa and the Fall in the USA, for this is also
the month to celebrate the Trane that was A Love Supreme, John Coltrane,
who is to be seen Sitting on the Dock of the Bay with soulmate Otis
Redding, as they Try A Little Tenderness.
Have you seen
Paulo Freire? Franz Fanon? Robert Mangaliso Sobukwe? O R Tambo?
They must be proud of you, now that you are in their midst at last?
You could not meet all of them in the flesh (expect for The Prof
who visited you in King in a brave act, one banned person to another),
but somehow managed to do so in the spirit. And the spirit is cooking
jazz as well.
Isnt it
heavenly, with Tatu Allen Silinga on the way to joining the
celestial gathering yonder, having penned classics such as Holili!
And Ntyilo Ntyilo immortalized by Mama Afrika,uZenzile Miriam Makeba.
Heela Steve, how was your 60th birthday? Did the solidarity brothers
and sisters bake you a cake? And brewed umqombothi to wash it down?
Ah, I see the other cats brought along something stronger! Ingenious
cats indeed.
I am busy trying
to finish the Proemdra I have been working on since the inquest
into your death in December 1977. Whats a Proemdra? I guess
you might be aware that it is my coinage of the synthesis of Prose;
Poetry and Drama within a musical setting. Like a Jazz Suite; A
Freedom Symphony. Didnt Duke Ellington and Billy Strayhorn
say A Drum is a Woman, while Dizzy Gillepsie had said autobiographically,
To Be or Not to Bebop? Now Birdland's keyboards wizard Joe Zawinul
has joined them too.
Who would comprise
the Big Band and Chorus there? I see the horn section with such
luminaries as Kippie Morolong Moeketsi, Charlie Bird Parker, Ntemi
Baby Come Duze Piliso; Basil Manenberg Coetzee Mongezi Feza, Miles
Kinda Blue Davis; Dudu Pukwana; Mra Ngcukana; Coltrane; Blyth Mbityana;Henry
Sithole; Peter Ballroom Rezant;George Tyefumani; Albert Kid mawrong-wrong
Ralulimi the music archivist supreme;Gwigwi Clarinetist Mrwebi;
guitarists Cyril Magubane; General Duze, Barney Luthuli; alto saxist
Zigzag Zachariah Our Kind of Jazz Nkosi and Victor Ndlazilwana,
flautist Thomas Masemola; double bassists Chooks Tshukudu and Mongezi
Velelo plus electric bassist Sipho Gumede, with Selby Thiba ka Moo
Ntuli on Fender Rhodes with Early Mabuza drumming.
Hey, theres
Sunshine Mama Sophie Mgcina, busy transcribing her vocal
and horn arrangements of Mangwane, inspired by the modern reinterpretation
by the younger generation, Mafikizolo whom she warmly credited at
having given her a new lease of life beyond her wildest dreams,
at Sarrals offices.
Theres
the sensuous Baby Ntshware Dolly Rathebe, accompanied by ivories
icons Gideon Mgibe Nxumalo, Aunt Emily Motsieloa and Chris Blue
Note MacGregor.
Who do I see
over there conducting lessons in choral music, none other than Prof
Khabi Mngoma, ably assisted by Reuben Tholakele Caluza, J P U Ea
Kae? Mohapeloa, and BB Myataza, as Todd Matshikiza performs his
evergreen Hamba Kahle on a baby grand, neh?
Oh no, theres
also Tatu Sontonga, uMankayi, Enoch, who 120 years ago, in
1897, composed a hymn for Africa; a Prayer of Africa, in Nkosi Sikelel
iAfrika in Soweto, passing away barely in his thirties strangely
just like yourself, Bantu.
Isnt that
playwright-artist Matsemela Manaka in serious conversation with
master actor and drama tutor James Mthoba, about to be joined by
Barney Simon? Oh, theres piano protégé Moses
Taiwa Molelekoa, the pride of Fuba, always shy; always reserved;
always creative; always searching for the truth. Ah, there comes
along Fikile Magadlela with his Sunrise Birds in Full Flight backdrop
canvas for for soon-to-be Proemdra, A Letter to Brother Biko.
How did he know?
Did Fikile have a premonition? Did he create the setting?
Bantu, even
the father of Pan Africanism, Kwame Nkrumah was born during the
month of September, did you know? I see him exchanging notes with
Langston the Blues Poet Langston, he of the Harlem Renaissance period
and of Beautiful, also are the souls of my people, and
the classic question: What happens to a dream deferred?
Richard Rive,
an old mate of Hughes, is feverishly revising his seminal District
Six group biography, Buckingham Palace, with a grin as wide as Table
Mountain, as if to deadline.
Is that Chris
Hani standing next to you, Bantu? What is he saying? So you do not
wish to share your secret with us? Tomorrow? Day after tomorrow,
maybe? I am intrigued that you should be so close. Okay, call it
naiveté on my part if you will.
Cabral eloquently
speaks of returning to the source, which is also the theme of my
proemdra;
So the
return to the source is of no historical importance unless it brings
not only real involvement in the struggle for independence, but
also complete and absolute identification with the hopes of the
masses
As you Brother
Bantu Stephen Biko aptly put it:
We have
set out on a quest for true humanity, and somewhere on the distant
horizon we can see the glittering prize.
Little wonder
then that some people talk of ukuza kukaBantu.
A love supreme,
a love supreme
© September
2007.
Relaunch
of No Fears Expressed, the 30th Anniversary Edition edited by Millard
W Arnold, was held at Xarra Books, Newtown, Johannesburg, on August
30. Also in attendance were some of Bantubonke Stephen Biko's contemporaries
such as: Bishop Malusi Mpumlwana who opedned the proceedings with
an insightful prayer and profile of Biko; Tom Manthata; Rams Ramokgopa;
Debs Matshoba; Bokwe Mafuna; Bishop Joe Seoka; Ishmael Mkhabela,
the Steve Biko Foundation chairman, and June Joseph-Langa, the bookshop
co-owner to name but a few.
Articles by
Millard W Arnold:
Steve
Biko 30 years on.doc (34kb) (right click and select "..save
target as")
STEVE
BIKO Lives.doc (36kb)
Past events:
June 16, Youth Day
ADDRESS TO THE YOUNG LEADERS OF TODAY -composed
by DR MATHEWS PHOSA
Click
here to download the letter to ANC Youth.
New Steve Biko book is out:
In September 2007 the world will commemorate the 30th anniversary
of the death of Black Consciousness leaders Bantu Stephen Biko.
Endowed with a great sense of history and political foresight, Biko
ideas continue to have relevance for Africa’s development
agenda, three decades after his murder. It is therefore fitting
that as we remember him we sample, once more, from his works through
the latest edition of No Fears Expressed, once a premier reference
book for many young activists. Enjoy and share the legacy! -
Nkosinathi Biko
Speech given by Balozi Rupia on 31st January 2007 at Holiday Inn - Click here to download 27kb
Book Launch - Mama T Speech - Click here to download 37kb
Dar and the Nyerere Solution - Click here to download 35.4kb
Archie Mafeje: a giant has moved on - Click here to download 37.0kb
Human Rights Day and the Omission of Robert Sobukwe's Name - Click here to download 24.6kb Ubuntu/Botho:
Building a Teaching and Learning Community Using Ubuntu/Botho - click here to download the document. 104kb A tribute:
Biographical Tribute by Sekola Sello from the forthcoming anthology: (click here to download)
Doc Bikitsha Reader (click here to download) - Journalism Spanning 40 Years, Compiled by
Mothobi Mutloatse, for publication in May.
Click here for articles
Recent Book Launch at Exclusive Books
Killarney Mall: (Click on photo to enlarge)





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Articles:
The Life and Times of Sipho Sydney Sepamla: A Tribute - by Mbulelo Vizikhungo Mzamane
The
DAC statement on Sepamla, Bikitsha and Blignaut:
Dr Z. Pallo Jordan
We enter this year in a devastatingly painful state after the passing of three prominent South African writers in a space of four days. Toek Blignaut, Doc Bikitsha and Sydney Sipho Sepamla, passed away on 5, 6 and 9 January 2007 respectively. Through journalistic writing, poetry and fiction, these writers established themselves as chroniclers of our history and remained a substantial part of South African writing over several decades.
In the past year all the three writers were recognised and honoured by both the government and the writing community in South Africa for their sterling contribution to the development and preservation of our cultural heritage. Toek Blignaut, author of 82 books in a career that spans over five decades, received the Lifetime Achievement Award at the South African Literary Awards held in Bloemfontein on 8 December 2006. Blignaut was honoured for her selfless dedication to the development of South African literature and languages in an event organised by the wRite Associates in collaboration with the Department of Arts and Culture.
Blignaut's most popular work is her first book, Donker op Nebo , which was written in Afrikaans and first published in 1970. Blignaut started writing stories for magazines on a freelance basis. After winning two competitions run by the then Afrikaanse Pers, she was invited to join Rooi Rose magazine as a journalist. In this position Blignaut wrote short stories, serial stories and articles. Her first short story in the magazine appeared in 1957. During her 12-years at Rooi Rose, she covered the first world heart transplant by Dr Chris Barnard in the mid-sixties. Some of Blignaut's remarkable works include, Uit Hirdie Donker Nag and Pad na Monomotapa . Her last book Silwerkruik, was published in 2006 and at the time of her death she was writing her memoirs.
Blignaut's passing was followed by the shocking news of the departure of Doc Bikitsha and Sipho Sepamla, both recipients of the Memory is our Heritage fellowship grants. The fellowships are an initiative of the Mutloatse Heritage Trust in collaboration with the Department of Arts and Culture. These fellowships are offered to outstanding South African writers and journalists to document our cultural heritage through the contributions of our major artists. Bikitsha was born on 19 November 1930 at the Bridgman Memorial Hospital in Mayfair, Johannesburg. Although trained as a teacher, Bikitsha could not restrict his influence to the classroom walls, instead he expanded his horizons and taught the entire nation through his journalistic writings.
Doc Bikitsha emerged among a galaxy of journalists who remain a significant part of our history and at the height of intense socio-political upheavals that brought about a new consciousness among South Africans and subsequently resonated across the international landscape. Bikitsha worked with legendary writers such as Henry Nxumalo, Lewis Nkosi, Nat Nakasa, Can Themba, Sophie Thema, Anthony Sampson, Casey Motsisi, Todd Matshikiza and Ezekiel Mphahlele. Bikitsha worked for the Golden City Post , Bantu World , the Rand Daily Mail , and the Sunday Times , among others. Bikitsha commanded a great deal of respect among journalists and readers alike and has inspired many journalists who remain the household names in South African journalism.
While still wiping our tears after the passing of Bikitsha, we opened our eyes to devastating news: we learned that Sipho Sepamla, one of our most outstanding and prolific poets had also passed away. Sepamla was born in 1932 in West Rand, outside Krugersdorp. He was trained as a teacher at Pretoria Normal College but is better known as a poet and novelist. He published six collections of poetry, including with Selected Works (1984) and From Gorée to Soweto (1988), and several novels, as well as The Root Is One (1979), A Ride on the Whirlwind (1981) and Rainbow Journey (1996). He received the Thomas Pringle Award in 1976 and in 1985 was recognised in France with the Order of Arts and Literature.
After the Soweto Uprisings in 1976, Sepamla released a deeply moving and politically charged collection of poetry, The Soweto I Love (1977), which was banned by the apartheid government shortly after its release. What distinguished Sepamla's poetic flair was his ability to deploy the urban patois, better known as Tsotsi-taal , in his writing without compromising fundamental literary aesthetics. Sepamla left us shortly after completing his biography of Victor Ndlazilwane, a legendary jazz musician from Daveyton and leader of the Jazz Ministers.
The loss of these outstanding writers is a horrific blow to the arts fraternity, the South African society at large and the writing community across the globe. We can only derive solace in the realisation that in their lifetime they served the nation diligently and left their mark in the annals of our cultural history.
I would like to convey my deepest condolences to the families and friends of the departed writers. I hope that we will all derive solace from the realisation that these great writers have served the nation with distinction and that their contribution was recognised while they were still alive.
Sipho Sepamla will be honoured with the burial in the Heroes Acre at Benoni Cemetry. SEPAMLA, Sipho (Sydney) (1932-), South African poet and novelist, was born in West Rand Consolidated Mines Township outside Krugersdorp and trained as a teacher at Pretoria NormalCollege. He has published six collections of poetry, ending with Selected Works (1984) and From Gorée to Soweto (1988), and several novels, including The Root Is One (1979), A Ride on the Whirlwind (1981) and Rainbow Journey (1996). In 1976 he was co-recipient (with Lionel Abrahams) of the Pringle Award and in 1985 received the Order of Arts and Literature from France. His achievement is not limited to his work as a writer; he has been an active encourager of art and culture for blacks in South Africa. Sepamla's creative energies were awoken by the philosophy of Black Consciousness. He published Hurry Up to It! (1975), a poetry collection, at about the same time as similar collections by Mongane Serote and Mafika Gwala. What sets his poetry apart is its often ironic and satirical register. His poems frequently include a combination ...
The winter comes
shorn of all flapping ears
ears without pierced fleshy lobes
the winter of the dry peach tree
the only tree I know so well
the peach tree is everywhere
the sentinel of my acclaimed urbanity
in the foreground in the backyard
trust me to own
a proudly-made choice of a peach tree
I might be excused for owning no rosebuds
tolerated with an overgrown carefree hedge
castrated for allowing ivy to besiege the house
but wow! I would have no ground for a yard
not statued with a wild peach tree
peach tree peach tree all around
canopy of an elated drinking party
courtyard of the bemused bridal group
handy housewife's family pride
stuffing shelves with juicy canned fruit jars
and oh! my peach tree has its woes
condemned for the shrieks of children at play
it confounds the visitor on a trip to a house with a tree
all houses proclaimed by this landmark
and so the summer rains fall
the ashen ground drinking merrily
quenching the sulking roots of my peach tree
favoured for its long-suffering make-up
redeemer of my forlorn greenish hide-out.
Awards:
SOUTH AFRICAN PERFORMANCE POET WINS NOMA AWARD FOR HER FIRST PUBLISHED BOOK |
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